See also Amy Tan Criticism.
In a similar fashion, this chapter illustrates that the same is true of An-mei, the woman who sits in the south corner of the mah jong game, the woman characterized by June Woo as a "short bent woman in her seventies, with a heavy bosom and thin, shapeless legs.
Rather than being cold and uncaring, she deeply loved her small daughter — despite the fact that she abandoned An-mei, and the little girl had to be raised by her grandmother, Popo, her younger brother, and her uncle and aunt in their large, cold house in Ningpo.
To An-mei, her mother looks strange, "like the missionary ladies. Until then, there is nothing. Popo had damned her own daughter — and at that moment, a pot of dark boiling soup spilled on tiny An-mei. Gently, she warned An-mei that if she did not get well, her mother would forget her.
An-mei immediately began her recovery. Each of the daughters in this novel will, in individual ways, undergo this process of healing the divisiveness that separates them from their mothers. The images create an enchanted mood, where all sorts of strange things seem possible.
Popo tells the children about ghosts that steal strong-willed little girls. The child understands the meaning of this sacrifice.
Glossary So you see, to Popo we were also very precious People from non-Western cultures often refuse to praise their children for fear that a vengeful god will seek retribution.
Polygamy has been widely practiced at various times by many people throughout the world but has never been the norm. Usually only rich and powerful men have more than one wife. Polygamy sometimes results in the maintenance of separate households for each wife, as in some wealthy, pre-revolutionary Chinese families.
The shared household was more frequent — especially with Muslims and many Native American tribes before the colonization of America. Polygamy is still common in some Muslim countries and in parts of Africa, but the practice is illegal in most of the world.
Concubinage is a form of polygamy. Her status declines the further removed she is from the primary wife. A number-three concubine, therefore, would have almost no status at all within the household.
This practice was legal at one time in many countries, including pre-revolutionary China. The Red Candle Pop Quiz!quotes from The Joy Luck Club: ‘Then you must teach my daughter this same lesson.
― Amy Tan, The Joy Luck Club. likes. Like You must peel off your skin, and that of your mother, and her mother. Until there is nothing. No scar, no skin, no flesh.-An-mei” ― Amy Tan, The Joy Luck Club. In a way, Jing-mei Woo is the main character of The Joy Luck Club.
Structurally, her narratives serve as bridges between the two generations of storytellers, as Jing-mei speaks both for herself and for her recently deceased mother, Suyuan. Chapter 1: Jing Mei "June" Woo--The Joy Luck Club.
June's mother, Suyuan Woo, has died recently. Her father has asked her to take over her mother's corner of the Mah Jong table in the Joy Luck Club. June's mother started the first Joy Luck Club in China during the Second World War. As early as Amy Tan's dedication to her mother and grandmother, it is clear that The Joy Luck Club is a tribute to intergenerational and intercultural connections.
Tan writes: "To my mother / and the memory of her mother / You asked me once / what I would remember. / This, and much more." In.
The ThemeTracker below shows where, and to what degree, the theme of Mother-Daughter Relationships appears in each chapter of The Joy Luck Club.
Click or tap on any chapter to read its Summary & Analysis. Suyuan Woo - Suyuan Woo was Jing-mei’s mother and the founder of the Joy Luck Club, a group of women who come together once weekly to play mahjong.
She started the club in China, in the early days of her first marriage. During her flight from a war-torn area of China, Suyuan lost her twin daughters, Chwun Yu and Chwun Hwa.